A Weird Robot Chicken Digression

 Again, a bit of an odd one this week. I've been dipping into the box(es) of unpainted models over the last couple of months and trying to finish some random miniatures that I've picked up over the years. I found a number of steampunk-style models from a variety of manufacturers, and thought that I'd paint them up as a little warband.

First up is a Privateer Press model. Some years ago, they released a faction called "Grymkin", which were Halloween-style monsters with pun names, and was very much not my cup of tea. However, one of them was a bizarre clockwork chicken robot (called the clockatrice), which looked quite cool. Here it is, painted up.

Weird, eh? I really like the model, just because it looks so crazy. I also added a few minions to the group.

The semi-ghostly lady on the left is a Privateer Press body and arm with Frostgrave bits. I imagine that she hovers slightly above the ground, wielding a combination of pistols and magic. I'm not sure where the robed mystic is from. I think he was part of a set of space crew, perhaps by the people who make the Dunkeldorf miniatures.

And here are two henchmen for this weird band of oddballs. On the right, we've got a Reaper miniature who seems to be some kind of mad scientist in a mechanical suit. Fair enough. On the left is a strange metal model from a range that I assume to be defunct. He's Bill Sykes, the thuggish baddie from Oliver Twist, except that he's got bionic legs because why not. He's actually a really nice model, but I've no idea who made him. I think I found him in a bargain bin.

So that's all pretty weird. I've plans to make more of these weirdos, but for the moment that's the sum total of Robot Chicken Brigade. For now...

Even More Random Space People

 In the wider world, sadly, John Blanche died this week. There isn't much for me to say about this that hasn't been said elsewhere: Blanche's influence on Games Workshop and miniature painting on the whole was immense. His grimy, low-fantasy style has inspired and been imitated by thousands of painters, 

Personally, a lot of "Blanchitsu" isn't for me - and Blanche himself made some nuanced comments on it. But he was undoubtedly an artist with a distinct style and, importantly, he was one of the first people to turn painting model soldiers into an art. His influence lives on, but he will be missed by the community.

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I've ended up with quite a lot of plastic historical miniatures, mainly because I've wanted to use them for conversions. I wanted some US soldiers to put on the bases of my Tau, as well as some Men In Black type operatives, and so on. The upshot is that I've had quite a few sets of leftover arms and bodies.

I've assembled more weird space people from these, using the historical bodies as the starting point for odd conversions. I've found that historical models are often slighter than SFF miniatures, and they work well with female heads and arms. Of course, this moves them away from their historical roots, and painting them in bright, usual colours further hides the fact that they were originally supposed to be peasants, GIs or whatever. 

I make these models as a sort of palate-clearer, between more serious projects. I've got about 50 of them now - I have no idea what I'd do with them, but then I don't know what I'd do with a lot of my models. Here are some recent ones.

These models were made with the bodies of medieval pikemen. The left-hand model has Stargrave arms and head, and a WW2 backpack. The steampunky guy has arms and a head from Wargames Atlantic Grognard models, and a cloak that I made out of milliput.

The lady on the left has Stargrave arms, a cultist head and a GW Kroot bag to balance her outline out. The guy on the right has a Stargrave head and Wargames Atlantic Agent arms. 

These guys were made with various historical bodies. From left to right: US marine, Boxer rebellion, WW2 Russian. Heads and arms are Stargrave, apart from the middle guy, who has a Pig Iron head and Frostgrave Cultist arms.

Next time, it's either scavvies from Necromunda or old Privateer Press miniatures. Watch this space...

Squirty Bottle Moon Buggy Conversion

 So, new year, new picture, or something like that. The photo at the top of the blog is actually the Stanley knife (or box cutter, if you're in the US) that I use for most of my cutting and conversion work. I gather that you're meant to use a craft knife, and maybe I'd get better results if I did, but I've found the Stanley knife to be very reliable and robust over the years. And I've wiped my brush on it so many times that it's starting to look like a work of abstract art in itself. I'm sure the Tate Gallery would love it...

When converting (and writing, for that matter) I often find that I have an idea kicking around in my head for ages, and it just takes the right moment for it to come out and take form. To be more precise, you know those trigger-activated, squirty bottles that you get for shower cleaner, disinfectant spray and the like? Ages back I thought that the head of one of those would make a good cockpit and I've been trying to work out how to do it ever since. 

I saved one, cut it down a lot, and wondered how to make it work as some kind of vehicle. My first thought was as the front of a flyer, but I lacked parts to really make that work. I also had a bit of plastic tube that had probably been to top of a pot of glue, which fitted nicely behind the "cockpit" and could be some sort of engine...

After that, I rubbed the whole thing down with fine sandpaper, so that glue and paint would take to it more easily, and added wheels. Two were old Ramshackle tyres, and I've no idea where the smaller pair came from. It began to have a smooth, slightly retro moon-buggy look.

I added lots of details from thin plasticard bent to shape, and leftover model tank bits. GW provided an aerial for the roof, from a Tau part. 

Then it was time for painting. I went with a basic off-white, with red panels and a black front canopy that is presumably made of some kind of two-way glass. This helped break up the shape of the squirter a bit more. I don't often wish that I had an airbrush, but getting a half-even coverage and some kind of shading was really hard. I ended up using a mixture of glazing, conventional painting and sponging, and it's still far from perfect.

That said, I do rather like the end result. I kept the weathering fairly minor, but added a few chips to suggest use. Here is the end product.

And here's a picture with a couple of space adventurers for scale. Broom!

A Strange Thing That Happened On This Blog

In the past, most of the posts on this blog have got between 50-100 views. I don't write this blog as anything other than a record of what I've been doing and, while I appreciate the comments that I get, I've never really planned or wanted for it to "get big" at all.

On 19 August, I posted a post about painting an old ork weirdboy miniature. That post suddenly got a (for me) huge amount of views: about 500. The next five posts got between 600 and 1300 views. 

On 1 October, I posted a post about painting plastic dinosaurs. This post got 16 views. 

So what happened? Why did this blog suddenly get so many views, and why did they suddenly stop?

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My suspicion is that they weren't from real people. I think that, for some reason, the post on the 19th triggered something that attracted a load of bots. (It didn't trigger a lot of extra comments, which feels suspicious.)

I might repost the 19 August post, to see if it triggers more views again. If I do, I haven't gone crazy: I'm just trying to work out what occurred. After that, I'll probably delete the test post (and maybe this one).

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Strange. If you've any idea what happened, do let me know!

£6 Plastic Dinosaur Paint Set Challenge!

 A few weeks ago, I went to Tring Museum of Natural History with my friend Ruth. This inevitably involved a look around the gift shop. Later, Ruth presented me with this item:

Yes, it's a paint set, complete with brushes and two plastic model dinosaurs! And all that for £6! 

I thought it would be a fun challenge to try to paint the dinosaurs, using only the paints provided (and a white undercoat). The brushes were so awful that they were hardly worthy of the name, so I threw them out and used my own. I stuck the dinosaurs to two bits of plastic and got to work.

The models were surprisingly detailed (and reasonably accurate, as far as I can tell). Given the undercoat and the quality of the paints, I used washes for the main body of the models. Some of the paints were better than others: the blue and green were pretty decent, all things considered, although the yellow was terrible and I might as well have tried to paint the miniatures with an egg yolk.

I had to mix brown for the horns and claws, which was a new experience. I found it easy to make some sort of brown (a mixture of yellow, red and blue) but making it more leathery was really hard. 

Anyhow, here are the results:

Tyrannosaurus:

Triceratops:

And of course here they are locked in mortal combat and ready to be banged against each other! To quote Firefly, "Curse your sudden but inevitable betrayal!"

Not too shabby, all things considered! This was a fun break from the usual models and just goes to show that anything is a canvas if you're brave enough and get away before the police arrive.

Necromunda Beetle Knight

 Hello again! This post was supposed to be about more House Escher gangers, but I didn't paint them in time. Then I thought that it could be a tongue-in-cheek post about painting some iffy plastic dinosaurs from a museum, but those aren't quite ready either. So, this is about a space knight riding a giant beetle with a bionic arm across a wasteland.

There are a few conversions that I've had planned for ages and never got around to doing. One of these is to turn a Nurgle plague drone fly into a riding beast. For some reason, the idea of weird people riding strange monsters really appeals to me. 

I assembled the drone much as normal, although I swapped the front and middle legs around to make it more of a quadruped. I used DAS clay and green stuff to fill in the rotting bits and the wing-holes, and gave it a head from a tyranid bit turned upside down. The head makes for nice faceted eyes.

The rider was more complex. He's got legs from an Eldar guardian, an upper body from a very battered Bretonnian knight that I've had for years, and a lance arm from a dark elf. The front of the head comes from a chaos cultist and the helmet is a bit left over from some weird Age of Sigmar bone monster. I think his backpack, with carries water, is originally a dwarf bit. Quite a lot of green stuff was involved. The bits and bobs stuck to the beetle come from all sorts of  places. 

Halfway through construction, I dropped the model on the floor. I decided to replace the beetle's left small arm with a mechanical arm that I'd built out of junk a while back and never really found a purpose for. 

There's nothing especially complex about the painting, It was difficult to make the rider look interesting, in that he felt a little drab compared to his beetle. I decided to give his armour a verdigris look: perhaps, in the wasteland, that sort of discolouration is seen as impressive. I'm not entirely sure about the stripes on the beetle - I like the concept, but I don't think they work all that well in practice. I'm not sure how I could improve them without an airbrush, though.

Overall, I really like him. I think he's got a weird charm: as much inspired by Moebius as anything in Warhammer. I could see him riding about on the dunes, prodding enemies with his lance. 

Alice in Warhammerland

 I've always liked the Alice books. They're extremely strange, and have a weird combination of logic and anarchy that's very appealing. Also, they're fantasy stories that aren't derived from Tolkien, which is actually quite rare. They're both sinister and comical at once, which of course makes them ideal for adaptation to Warhammer 40,000.

Well, to be honest, it doesn't. Modern 40k consists largely of identical bald men shouting "Heresy!" at once another, which isn't ideal for a surreal Victorian children's story about a little girl with yellow hair. But what the heck.

I did these conversions a long time ago, but I took the opportunity to repaint them where needed. In the case of Alice, I entirely stripped and dismantled the original model. This involved resculpting quite a lot of green stuff and making her a new base. It was a right pain, to be honest, but the end result is definitely an improvement on the original. How much of an improvement, I'm not totally sure. 

So, Alice is basically the upper body of a sister of battle and the bottom half of an Eldar warlock, with lots of extra bits stuck on. I've no idea where her pointy little feet came from. I think her hammer is from a Mordheim sprue.

The Hatter is based on a Mordheim plastic soldier, with a lot of green stuff. His gun is probably from a plastic terminator. 

The Cheshire Cat is from Neferata, an old vampire model. He's got some sculpting around the mouth, and is standing on a bit of wood elf dryad to make a tree.

Getting a half-decent picture of these models was very difficult, which is really irritating but feels appropriate somehow. Here they are - normal people going about their lives.

The Minions of Mark: Dark Age miniatures

 Over the years I've accumulated a lot of random miniatures. Among these models was a blister pack of strange little guys that my local games shop was selling for £5 in a bargain bin. 

They're actually from a game called Dark Age, which I think is now defunct. It was a skirmish wargame based on the pictures of an artist called Bron, and seemed to be about small warbands abandoned on a desert planet. The guys I bought, if I remember rightly, were the followers of someone called Saint Mark.

What they look like, to me, is a cross between the War Boys from Mad Max and the Cenobites from Hellraiser. I put them in a drawer for a long time, and was rather intimidated by the prospect of painting them, especially because they would need a largely monochrome paint scheme, which made me nervous. I don't really enjoy painting black, because the highlights often come out as chalky or too stark. 

Well, I finally dragged these guys out, painted one as a test, found that it worked, and got going on the other four. They're strange designs but really well sculpted, with loads of detail. They seem to be holding guns that fire circular saw blades, as well as truncheon-type weapons that might be electrified. I doubt that they're the good guys of the setting.

Making the skin different to the clothing was quite hard. The clothing is highlighted from black to light grey, by adding more grey and white. The skin started off as light grey, was given a very thin wash of purple, and was then highlighted by adding first bone and then pink to the mix. The skin was eventually given a thin glaze of pink to suggest that it is alive. I'm not sure how well this comes out in the photos.

Here they are.

Weird, aren't they?

Converting Old Mantic Models: little space soldiers, a demon mercenary and The Thing

I had a bit of free time over the weekend. Here in the UK, it was unpleasantly hot, and I spent as much time as possible indoors. I opened the big box of random sprues, and found a bunch of old Mantic miniatures.

Mantic have made some decent stuff - their skeletons are particularly good, and used to be dirt cheap - but they have produced some... less fantastic miniatures. Their plastic goblins are pretty awful: they've got very little detail, they're made from some horrible plastic-resin material, and it's generally quite hard to tell what the heck is going on with them. However...

I've long been of the view that the most important bits of a miniature (unless it's some insanely complex GW sculpt with books, banners and the like) are the head and the weapon (or at least the hands). What this means is that by attaching a good head and arms to a ropey body you can distract from the bad parts enough to end up with something acceptable. In this spirit, I waded into the goblins.

I threw the original heads and arms away. Instead, I used Perry Miniatures Afghan arms, and the WW1 style heads from the Wargames Atlantic "Bulldogs" sprue. A little bit of cutting was required to get the heads to go on properly, but nothing elaborate. The only problem with the guns was that it wouldn't be possible to arrange them so that the models were taking aim. No great issue there, as you get loads of guns on the Afghan sprue.

I really, really like the positions of some of these models. That's largely down to the excellent Afghan arms, which allow for a lot of interesting options.

I painted the bodies brown, and highlighted with successive drybrushes. I didn't bother to pick out any details, as it's not worth the bother. The heads were painted bright green: partly to fit in with another batch of goblin conversions I did a while ago, and partly to get away from the idea that these were short WW1 Tommies. The hands and exposed flesh of these little chaps was painted blue.

The end result is quite decent, I think. The goblin bodies are always going to be a bit rubbish, but the new arms and heads really improve the models.

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The second part of today's post continues the "random Mantic models" theme. Again, I've got no idea how I ended up with these miniatures. 

First up is a plastic orc, who was thankfully made out of a much nicer and more normal material than the goblins. He's a neater, crisper sculpt, but still nothing special. I gave him a horned head from the Frostgrave demons sprue. His arms and gun come from a Mantic "plague" warrior, who has a lot of spikes on his arms and shoulders, which went well with the head. I painted the whole thing red: he reminds me of the trolls from the Shadowrun game. I imagine him as some kind of thuggish mercenary.

The final creature is the most interesting, I think. This was made from the body of the plague soldier who provided the red chap with his arms. The body has a stretched, twisted quality, and looked as if it was about to turn into something else. All of this made me think of The Thing, and so I got some bits together and turned him into a warping, shape-changing monstrosity.

I liked the idea that his head wasn't needed anymore, and would just flop to the side while horns and tentacles burst from his body. Having the big tentacle and the spikes all pointing the same way gives the model a sense of movement. I sculpted an eye to replace his head and act as a focal point.

The model was painted in flesh tones, with a lot of washes to vary the colours. I undercoated in black and then painted a variety of odd colours to sit under the flesh: bright red, camo green and blue. Hopefully this makes the flesh more unwholesome and variable. The head was deliberately left rather lacking in detail: it's no longer important to this creature, after all.

I left the clothes in drab shades and painted the eye with a bright blue pupil, to draw attention. I've got to say, I'm really pleased with how it turned out.

Horrid, really.

Scratch-Built Moon Truck

 

Once again, I've been trying to use up some of the many bits that I've accumulated for excellent projects that never quite came to fruition. 

A little while ago I made an ork battlewagon, which looks like this:

In doing so, I bought a resin battlewagon from Ebay, which I'd intended to use as the basis for the battlewagon itself. I ended up only using the wheels for my version, which left me with a load of resin bits including a body that looked like a massive lump of white chocolate.

Also in the bits box were two, er, side pieces from a Ramshackle Games APC-type vehicle. I have no idea why I own these, especially since I had three of them. Maybe I over-ordered many years ago? I also had no wheels to go with them. Genius. However, I discovered that the side bits fitted the white-chocolate resin bit really well. 

I boxed in the rear of the vehicle with plasticard and then got to work covering it in greebles - that is, bits of interesting, superfluous detail. Many GW human vehicles have plates on them, which sometimes have little gaps between them. I tried to simulate this with different shapes and thicknesses of plasticard. 

The underside shows how the large random lumps of resin went together.

Further greebling occurred.

The bits came from all sorts of places: some Warlord Games turrets from an armoured car; two ventilation units made by TT Combat; a Mantic gun - anything that looked interesting and vaguely industrial, really. My favourite bit is a toolbox from a Gaslands sprue. I considered buying some resin wheels, but I'm cheap, so I got some Lego ones off ebay. And they worked surprisingly well!

The thing I ended up with looked like a cross between a military truck and a moon rover. It clearly needed an industrial paint job. I went with a light grey, because you can do a lot of weathering on that. For the first time, I used an oil wash to simulate dirt and grime: I used burnt umber from Windsor and Newton, watered down with white spirit. To be honest, while this was a bit better than just painting the dirt on, I didn't think that it was amazing.

Headlights, an abandoned toolbox and some kind of tube added a bit of colour to the model. Overall, I think it might be a bit over-weathered, and you can see that the tyres say "Lego" if you look closely, but I think it's come out pretty well given how it started. A weekend well spent!